Tuesday, May 30, 2006

gazing into the future

eyes wide shut

...with ears wide open?

Samuraibunny got her ipod to tell her her future (what else more can the ipod do?), and she was curious what my dismal songlist will say about mine. So let's shuffle and go!

How does the world see me?
就算全世界與我為敵 by Cheer Chen
(trans: So what if the whole world thinks of me as their enemy?)
ah, J always says I very kuai-lan

Will I have a happy life?
時光机 by Mayday
(trans: time machine)
oh, any time!

What do my friends think of me?
七里香- by Jay Chou
(literal trans: fragrant for seven miles -I think it's the Chinese name for the Jasmine flower)

Do people secretly lust after me?
Faded - soundtrack of Clara Law's Autumn Moon
ha, clearly not

How can I make myself happy?
Bilavisur - by Bjork
er, by learning icelandic?

What should I do with my life?
Know-How - by Kings of Convenience

Will I ever have children?
浪漫 的紅舞鞋- by Faye Wong
(trans: romantic red dance shoes)
I guess the answer is NO

What is some good advice for me?
鏡子 - by Sandee Chen
(trans: the mirror)

How will I be remembered?
Devotion - by Faye Wong
are you reading this, J?

What is my signature dancing song?
Polonaise- by Shigeru Umebayashi (soundtrack for 2046)

What do I think my current theme song is?
I wish - by Chen Guan Qian

What does everybody think my current theme song is?
青春驪歌 - by 拜金小姐
(trans: Song of Brilliant Youth - by Material Girl, a pop parody outfit started by Sandee Chen)

What song will be played at my funeral?
Beethovan's Sonata No.31 in A Flat Major, Op. 110
cultured huh.

Tag: anyone with an ipod and time to kill...just leave a comment here if you do.

Sunday, May 28, 2006

not far from home

To satisfy my wanderlust, J and I took a leisurely walk from our home in Toa Payoh to the Balestier/Whampoa area this Saturday. Here is our "travelogue" in pictures...ok, and some text - because I cannot resist the lure of words.

(1) Though not known to be a "historic" district, Balestier has some pretty well conserved shophouses with that distinctive architectural mix of neo-classical, the baroque/rococo and peranakan, boasting a relief of monkeys, elephants, dragons, indian guards and cherubims!
balestier stitch
Other than this horrible stitch, the rest of the photos in this post are by J instead.

(2) Not just the architecture, the massive banyan trees in the area must surely also count as heritage.
Better than tree top walk 老树

(3) The reality is that Balestier is pretty "historic". Just behind the main road, along the quiet Ah Hood Road is 晩晴園 (literally, The Garden of a Clear Night?) or the Sun Yet San Memorial Hall. It houses an interesting exhibition on the early nationalist years of China's history (Boxer Rebellion, the Tong Meng Hui), Dr Sun's life (yes yes, romance supposedly blossomed too in the Nanyang for Taiwan's founding father - oh weak men!) and the role Malaya played in modern China's revolution.
晩晴園 Front Porch

(4) J was pleased to discover that Dr Sun was quite a designer ("You see, no wonder he was such a great man"). He was supposed to have designed this outfit, a variation of the western suit more appropriate for the tropical weather. The young Dr Sun and his fellow revolutionists had also designed the logo for the Tong Meng Hui and flag.
Designer 孫中山 小孫中山(Sun's Junior)

Of course, ampulets could not resist participating in such exciting history!
假英雄

We even recreated that momentous meeting we had with Dr Sun's in Taipei last year, re-living that brief declaration of love and admiration.
In Love with Uncle Sun

(5) And we were pleasantly surprised when we encountered in the garden of the memorial hall a life size statue of Kuo Pao Kun! I guess the folks at the memoral hall and the donors of this statue probably felt that the late Singaporean playwright and thinker, too, had lived a life worthy of remembrance. Humble, magnanimous, a teacher and an artist. At the foot of the statue is an open book. On it are these words by Kuo Pao Kun:
I still subscribe after these many years to the idea that art is secondary to life. Life is primary; unless you take a serious look at life, there's no point in doing art. The very meaning of art is [that] through the process of art, you get deeper into an understanding of life and people.

Mr Kuo Pao Kun at 晩晴園

(6) Life and its people... - well, beyond the conserved facades of the buildings and the moving stories in the museum are certainly lives lived in these condominium blocks. Built mostly in the late 70s and 80s, J and I found these buildings architecturally disharmonious (er, ugly?), but strangely moving.
Diseased Dog at the Balcony Oldies Buddhist KaraoKe 80s Building Women's Favourite Building

That row of single-storey terrace houses, I think, were built in the 60s by the HDB (or its predecessor). In those early days of development, the building of the first public housing estates required the relocation of farmers, fishermen and squatters. In the Toa Payoh area, the squatters had resisted being relocated, complaining that they were not used to living in high rise buildings. Because the Barisan Socialis were supposedly taking advantage of the situation and stirring up greater discontent, the PAP government had quickly built these single-storey houses to address the squatters' vertigo.

(7) Of course, no tour is complete without some local cuisine; and every Singaporean already knows that Balestier rivals Katong in its gastronomic offerings. J and I settled for this delicious but overpriced chicken rice meal (S$22)...But next time we are definitely going to try the duck rice from this shop instead.
$22ChickMeal4two 鴨店

====================
Well, friends, keen to visit the Balestier/Whampoa area soon? These buses will take you there: 130, 131, 139, 145. Or like us, you can take a walk from Toa Payoh. The easiest place to start is Toa Payoh MRT or Buss Interchange:
>> Cross the road from the Toa Payoh interchange to the Too Payoh Park or Swimming Pool
>> Cut across the park and walk to the back of the Swimming Pool. From there, take the overhead bridge across the highway (I think it's the PIE).
>> Take another bridge across a large monsoon drain at the back of the Singapore Police Force Recreation Club.
>> Once there (i.e. Jalan Rajah or Ah Hood Road), wander around the estate or head straight to Balestier Road (parallel to the highway)

Friday, May 26, 2006

room with a view

夜深人靜(五)之廟
glowing temple - tonight a group of men were there loudly chanting "Prosper! Prosper!". Well, at least they acknowledge that their god is wealth. photo by J

It's been almost 4 months since I've become a high-rise flat dweller, our flat perhaps one seventh the size of my parents' Phua Chu Kang-inspired house. Our flat has a total of 4 window panels (excluding 2 cut-outs in the bathroom), 2 face the north, and 2 face the south.

The former gives me an immediate view of a school and Chiam's Potong Pasir sliver in Toa Payoh - and beyond, the concrete of more housing estates in Bishan, then Ang Mo Kio... The latter affords a more varied view. There is the neighbouring Taoist temple (always a neon-spectre of activity), more flats like ours, the city in the distance, and beyond - a dark grey line of indecipherable concrete or sea or refineries or pollutant...

夜深人靜(一)
天変6
Happy hanging around...
Night (Dusk) Day from the windows.photos by J

I remember some time ago WW told me about her visit to emily dickinson's house (now the Emily Dickinson museum). The poet lived there most of her life (1830-86), and wrote about 1800 poems, most of which were almost all undiscovered and unpublished till after her death. In particular WW told me (if I recall correctly) how she felt strangely moved by the window of the house where Dickinson must have sat most of her time, viewing the world outside.

I guess most of us would be quick to label her some recluse. How could anyone stand it? Being in one place all of their lives?

夜深人靜(三)之鉄窗
our iron-grilled, "upgraded" lift lobby.

But even if hers was really a life lived from behind a window, it was not limitative in any way. After all, it provided a view to one of the most lively intellectual periods of America's history, the American enlightenment, a literary "golden age" - and, of course, the political upheavals of a civil war. More importantly, it provided a view for words that seem to defy the framing of their sentences, take apart and remake the line to fit their own relations and rhythms. Space is as quick and as expansive as one mind behind one window of one house in one town providing a view all the way to eternity - and back, just to "tell it you" .
The only news I know
Is bulletins all day
From Immortality.

The only shows I see,
Tomorrow and Today,
Perchance Eternity.

The only One I meet
Is God, -the only street,
Existance; this traversed

If other news there be,
Or admirabler show -
I'll tell it you.

The Great Singapore Sales Girl
Singaporeans' favourite view - the shop window! photo by J

Maybe it's no longer possible, with our planes and satellites and fibreoptics and flickr, to sit by one window and find through its view a space so large it can contain a whole life and eternity. Maybe.

After 4 months, perhaps the novelty of my 4 windows has not yet worn off. But today the confines of this island (about to be swept into a shopping frenzy starting today with the Great Singapore Sale) are starting to get on me. Today, almost 7 months after Taipei, I am thinking of Shanghai and Beijing...

Tuesday, May 23, 2006

long live reading!

reading is fun 2
click on image to get to the flickr page

Which activity best describes what you do most?
A. writing
B. attempting to publish
C. reading

In a fit of optimism, I sent an edited version of this short story last week to the admirable Silverfish publishers in Malaysia who are in the midst of compiling their 6th anthology - completely misreading the deadline "31 Mar" as "31 May". Aiyah.

Thank goodness there's still reading! Long live reading!

As with last year's poster, today's poster is for you to download and spread the happy news. The government says it's good for you too.

Saturday, May 20, 2006

sea view

kiss kiss

Walking by the East Coast park this evening, we found it packed with families, teenage BBQ/beer parties, snog fests, dogs and roller blades. My nose was runny, my head was groggy and my legs weak after a day of shooting for a friend's wedding... but it felt good to be by the sea - watching the bruised sky, and knowing that you're right at the edge of something.

Thus inspired, ampulets give you here an album cover (sorry, sans downloadable music) that will hopefully move you to some Sunday loving!

Wednesday, May 17, 2006

playground for 1

park lady

A playground for lonely children? J and I were discussing what a playground for lonely children would be like a couple of days ago. See-saws that still work for one. Merry-go-rounds with hands that hold on to you. Swings that give you an extra push. I'm only not so sure about slides though. My childhood memories are of having to rush to get to the top of a slide, only to be hurried down by an impatient somebody whose sandy shoes are on your backside. Maybe slides are better enjoyed alone - that long ride down. But once down - yes, maybe it would still be nice to have someone waiting for you at the end of the ride.

Saturday, May 13, 2006

The Last Communist

There's still time to catch The Last Communist by Malaysian director Amir Muhammad at the PictureHouse - it shows until Tuesday. A 90min documentary based loosely on the life of Malayan communist leader Chin Peng, the film traces the route Chin Peng took from birth (Perak, Malaysia) to exile (Thailand), highlighting in broad strokes the key moments in Chin Peng's journey.

But if you wanted to know more about the man, it is better that you read his autobiography Alias Chin Peng: My Side of History. Because the film's true subjects are the Malaysians instead who continue to live in the towns that Chin Peng left - be it the tin mining, rubber tapping, pomelo-growing town of Ipoh or the "Peace Village" in Thailand where the exiled Malayan communists continue to reside. In candid interviews and surprisingly effective musical interludes (great lyrics, funny in their literal-ness), Amir Muhammad tells the story of Malaysia's small towns and their economic realities.

The film begins with an interview with an Indian young man in Chin Peng's birthplace. All the while wearing a white shirt and a bow tie, we learn that the "business" he runs is just a roadside ice-kacang stall. But "I am satisfied", he declares, smilingly. This town, the home of his parents, now provides for his modest life. Then there is an elderly Malay man who recalls how, when he was 14, was "seduced" by a beautiful female guerilla communist. But he betrays his uncle and cousin in the end to the British police and receives RM1000 for participating in luring them out from the jungles. Sex and money - these promises have never changed and are independent of political ideology. There are also a series of moving interviews with the ex-guerillas who now live in the Thai "Peace Village", denied of a return to Malaysia in 1989 after the Cold War draws to a close.

There is humour abundant in this film. In fact, humour is this film's strength. It teases and diffuses tensions and whatever political sensitivities, but it also satirizes. It poses the grand historical struggles which communism dictates against the small but no less significant realities of these Malaysians' lives. And it is precisely communism's burying of the personal and the individual that is its achilles heel.

Chin Peng, himself, is ironically buried by the communism he fights for. He never appears in this film. Not even his image, a photograph. In fact, I don't think his name was ever mentioned by any of the interviewees. His absence denies his personal story, replaces it with the collective stories of his fellow-countrymen and comrades.

I wonder about Chia Thye Poh, who was released from decades of detention by Singapore's Internal Security Dept in 1989 to live on the island Sentosa. Where is he now? What of the other Singaporeans who have had associated with the Communist Party at some stage in their lives?

I've just finished reading this book - an enjoyable read, perfect for the long weekend. It made me think of my own very brief experience of communism - well, kind of.

It was my summer vacation in 1995, so together with a friend from university, we decided to backpack around Europe for a month. No itinerary, a lean budget, no prior bookings, and no expectations.

When our train arrived in Warsaw, a man approached us with a photo album. His mother lives alone. She has a spare room in her apartment. There's hot water and 2 beds, US$10 a night. We didn't have anywhere to stay, so both us Asian girls got into his Lada and he drove us to an old dreary grey block (structurally pretty much like our HDB flats!). After our first night there, his mother who spoke about 5 words of English, cornered us and demanded an extra US$5 because we had used the hot water. With her limited English, she nonetheless communicated all this -

Ever since Poland went capitalist, life has been tough. She has to earn her bread. The price of everything has gone up, and she can now only afford the bare minimum. Damn capitalism. She would have communism anytime. Life was good under the communists. So please give her her well-deserved US$5. Take pity on an old lady, denied of a peaceful retirement by those capitalists.

I was about to relent, but my friend (a tough Malaysian just a couple of inches taller than me) stood her ground and repeated several firm "no"s - US$10 was what her son had agreed, with hot water. The old Polish woman beat her chest, performed a little drama, but of course she had known this all along - these capitalists, whatever shade their skin, they were heartless. :>

gold's mine

To celebrate Mothers' Day, J's family had a potluck dinner Friday night. And since everyone was around, and Ma J had missed our wedding 3 months ago, we did the traditional tea ceremony thing as well. After serving a token cup of tea to the weepy mother, she presented us with a heavy red packet. We found in it a thick gold chain that any rapper with self-respect would be proud to wear.

Since neither of us reckon we will be in the mood for rapper couture any time in the near future, we figured the only use for the gold chain was for this:

happymaday

ampulets present this graphic/banner for all who wish to download it for mothers - just click here!

Tuesday, May 9, 2006

Bathos

worm
I am not sure how to translate this...literally = rare chance to be foolish

Ma J has been home from the hospital for more than a month now. She is still largely immobile, though with someone to lean on she is able to stand and take a few steps. The doctors have just started her on anti-depressants.

This exchange takes place in Mandarin and Hokkien.
J: We don't have to worry about life...
Ma J: [eyes half closed, although she is sitting upright] Yah...I know.
J: God takes care of us all.
Ma J: [she lifts one eyelid, and the other follows]Ummm, that's right.
J: You look at the birds, no one bothers about them. But they are ok. They still find food, when it rains they have a place to go to, they don't worry about clothes or food -
Ma J: [nods in firm agreement] Yes, that's right, there's no need to worry. Sometimes you see a bird - ppaah - it gets knocked dead by a car...So why worry?

Though inappropriate, how I wanted to laugh, looking at J's somewhat bemused expression and Ma J's eyelids fast lowering. Three little birds around the dining table.

Sunday, May 7, 2006

border crossing

lift-gods
NEW! Life-size "Upgraded Lift Gods", available now at your friendly Town Council office. "Un-upgraded Lift Gods" are out of stock.

Yesterday, since we didn'tt get to vote, L&G, J and I, trooped across the border instead, across a narrow stretch of water to visit our Malaysian neighbour, Johor. It was perhaps apt, this short visit, on election day itself. It showed me at least 2 things:
1. We Singaporeans are a rude, impatient, ungracious lot - regardless of the "first/third-worldness" of our political scene. Stuck in a queue (or the semblance of one) for over 1 hour at the Checkpoint, we witnessed such poor behaviour from our queue-jumping/cutting, fist-waving, unruly countrymen.
2. There is nothing like leaving Singapore to appreciate its administrative efficiency. But over a dinner of assorted deepfried foods, we also talked about the importance of living away from Singapore to not only appreciate its comforts, but also to assess the alternatives we normally won't even entertain on this siege-like island.

But as the evening crept towards 10pm, we started to get a little anxious to be home for the election results.

When we finally crossed the border home and switched on our telly, we were just in time for the announcement of the Prime Minister's 66% win over the Workers Party's self-declared "suicide squad" of political novices. I was surprised that as many as one-third of voters in Ang Mo Kio had protested so clearly their dissatisfactions, but before any more could be said, I heard the lorries bearing the victorious Mr Chiam and blaring his message of thanks! I rushed down to the street (the lift, now "upgraded" to have Geylang-karaoke-style wood panels, stopped right outside the door of our flat), but was still too late to extend a friendly wave to the MP of my neighbour constituency.

Where are you?
image by J - the lorry has left, walking away a little disappointed

But congratulations nonetheless to our neighbours, the voters of Potong Pasir - Congratulations for sticking with Mr Chiam and proving that the offer of upgrading from the PAP candidate is not what will swing your vote!

Many times during these past 9 days, I tried to ask myself how I would vote if I lived on the other side of the Toa Payoh Lor 8 road, this 4 lane asphalt border we cross several times daily. After all, it is easy for J and I to root for Mr Chiam when PAP's upgrading efforts gave us a lift right outside the door of our flat this year - which was good news for the 80 year-old lady living across us. We have the best of both worlds: a living environment that is cleaner and feels safer (though no doubt we lose other things along the way); yet also easy access to our neighbour/the opposition ward's laidback, down-to-earth, kampung charm and its political underdog pride.

Would I decide, if I lived in Potong Pasir's slightly run-down estate (where the pavement slabs are cracked, the grey walls need a fresh coat of paint, the lifts don't stop at every floor and the grass always overgrown), to cast my vote for "upgrading" - let my political existence get caught in that endless material chase? Would I instead think my vote is valued more and deserved to mean more? Would I help provide, with my vote, other Singaporeans the opportunity to have a non-PAP voice in Parliament to test, question and exercise the government's policy muscles whenever there is a hint of possible injustice and myopia? Would I ignore Mr Chiam's hard work, integrity and dedication all these 22 years? Or let's say I lived in Aljunied GRC (just a 5 minute drive away), would I extend my vote to the Workers Party team led by the intelligent, human and articulate Sylvia Lim - thereby taking my vote away from a PAP team led by George Yeo, probably 1 of only 2 PAP Ministers who would pay more than lip service to the arts?

I think I have started to get some clarity as to what my answer to these questions may be. And I hope, by the next general elections:
1. I will get to give my anwer, however secretly.
2. The term "opposition" is dropped. Call each party and candidate by their name. Break out of having to define all questions asked or alternatives offered as mere reflexes or reactions to some unnamed hegemony. After all, both Mr Chiam and Mr Low, our two longest-serving and returning non-PAP MPs, have always said and proved that they would never oppose for the sake of opposition. After all, this is not a boys' playground fight.

If not, this border crossing to Johor may just become my 5-yearly ritual!

====
P/S: If like us, you've never crossed the causeway by public transport to visit Johor, here's a quick guide:
1. Take the north-South train to the Kranji train Station
2. From the bus stop directly across the station, take the 170 Bus to the causeway
3. Alight the 170 bus to clear Singapore customs
4. Re-board the 170 bus which will now bring you across the Causeway to the Malaysian customs
5. Alight the bus to clear Malaysian customs
6. Walk away from the Malaysian customs and see, on your right, the foundations for a bridge to Singapore that may never be.

Friday, May 5, 2006

night of love

吹哨子
吹哨子 - whistle courtesy of Jing's Rally Pack, image by J, workers-party blue T-shirt by yoshitomo nara!

The field was packed. But Jing's placard, duct taped to a wooden pole and declaring his love for Sylvia Lim ("I heart Sylvia Lim" on the one side, "Perseverence" on the other), did the trick. The uncles and aunties at Ang Mo Kio St.51 smelled the raw enthusiasm and clapped, as if welcoming a soldier returning from some battlefront. They made way for this young man to move towards the front of the crowd. Of course I followed behind - as did others who saw the opportunity to get a closer look at the Workers Party stage.

Ang Mo Kio is the destination of Workers Party's "kamikaze" attack on the incumbent Prime Minister. And I must admit that its young team, led by Yaw Shin Leong spoke confidently and with conviction. Yaw was also unabashedly passionate. Early in his speech, he too declared his love, not for Sylvia Lim lah, but for Singapore. In the midst of explaining why he had agreed to lead this team, he said "because I, too, love Singapore!" The crowd cheered, clapped, blew their whistles.

This is something we seldom hear our politicians and leaders declare. They may declare their servant spirit. They may declare their gratitude to a meritocratic system. But they seldom declare their love.

Of course such emotive language is suspicious. We have been brought up, most of us, to distrust such declarations. This is the language of theatre - of political theatre, a populist strategy (at the other end of the spectrum is shouting insults), I concluded skeptically. Yet it was strangely moving and everyone wanted to believe his sincerity - because he was not only declaring his love, by extension, for the Singaporean audience, but with the audience and also on their behalf! Such language is suspicious because it is precisely this powerful and expansive.

Of course, the highlight of that evening was WP's response to the incumbent Prime Minister's comment yesterday that by having 10 or 20 opposition MPs, parliamentary efficiency would be affected and a lower standard of governance would result.

But in the end, cut through all that stirring rhetoric - PAP or WP or SDA's: combative rhetoric, the rhetoric of statistics and cold empircism, the rhetoric of patriotism, the rhetoric of fear and blackmail - and I really wonder where all this leaves us in terms of this country's ability to address its diverse challenges and the growing internal divides. Does the opposition really understand the complexity behind every issue - which in Singapore's case, contains not just the domestic dimension, but our inextricable relationship with and dependency on the rest of the world? Does the PAP really think that having a stronger opposition representation at Parliament would diminish the rigour with which our policies are designed? Has the electorate, through all this, become a more informed electorate?

After the rally, Jing, L&G and I went for a bite at a nearby hawker centre. There, Jing's placard again proved useful and quickly secured us a table - albeit with a couple of half-drunk uncles.

The louder uncle of the 2 told us about his support for the Singapore Democratic Alliance and his anger at the government for the death of his niece (a doctor's oversight led to her death, but the court had ruled it a case of misadventure). We tried to tell him that that had nothing to do with the government - implicitly, don't blame the government for everything! But he said the court was appointed by the government. I didn't clarify that the judiciary was independent. He said if he was rich or if the one dead was the relative of a Minister, the court's verdict would have been different.

Then he reveals that he has been living in Queensland Australia for the past 6 years. Oh, how good life is there. There, he gets free treatment in the hospital. And he gets first-class treatment - he, a yellow-skinned man, gets first-class service from an ang moh, a white-skinned ex-colonial master of his island.

He catches sight of the beer lady (G tells me she is an icon for this hawker centre), and calls out to her. There is some harmless flirting and she proceeds to kiss him. Oh, G said, she kisses everyone here! Ah, I thought, so full of love! Then she grabs the Workers Party flag and the placard beside Jing, stands up on the plastic chair, and starts to cheer - "Workers Party Workers Party". She steps down from the chair and plants a loud kiss on Jing; demands, "introduce your father to me leh!"

So much love. Enough to get us to Queensland Australia and back - from colony to independent nation and back again to this post-colonial indeterminate 3rd-or-1st-world we love, still marvelling after all these years when a white-skinned man condescends to be polite to us, yellow/brown/muddy-skinned Singapore.



P/S: images from sgrally blogspot - if you see a tiny white square in the bottom photo, that's Jing's sign, with which he claims he will "whack" his young peers out of their apathy. Lucky I'm too old.

Tuesday, May 2, 2006

Singapore Black Movies?

Lu Hsiao Fen looked at her torturers - she did not hate them as much as she despised them. Even her long curly hair expressed her disgust.

"You want to see my scar?" She spat, "Look! Look all you like - " and proceeded to rip her translucent white shirt apart.

The men gasped.

"Ha!" Her face in a sneer (the camera then pans from her barely covered bra-less chest down to the top of her trousers.) "There's another there if you want to see!"


At this point of this clip from The Shanghai Society Files(1981?), the audience of the documentary Taiwan Black Movies burst out laughing.

In the documentary a film critic tried to explain the explosion of a genre of "social realist" or rather "social sensationalist" films in Taiwan from 1978-1982. These films depicted gangs, convicts (reformed or not), lady avengers, murders, gang rapes, corrupted officials (in an imaginary communist state of course)and other assorted acts of violence/crime/injustice. His reason was that at that time, with a strict KMT-controlled censorship regime, political suppression, and coupled with all kinds of social anxieties as women entered the workforce, a booming economy and Taiwan's expulsion from the UN and APEC, cinema had to be escapist.

Yet the escapism in these "black movies" were an odd combination of supposed "realism" in escapist situations. Because these films, like the tabloid press, had claimed to be the true depictions of society - grime, grit and all - an audience could find in them all that they feared in a socially disruptive environment. Yet because their ability to seek resolutions through political engagement has been suppressed, they found relief in the simple, moralistic, yet deceptively exploitative films. During the 90mins in the dark, people were, paradoxically, reminded of yet released from their anxieties. (images from the black movie "Shanghai Society Files")

Two hours later, J and I caught another film at the Singapore Int'l Film Fest. The closing honours for the festival was reserved for Singaporean Royston Tan's 4:30.

Named for the quietest time of the night, when only the lonely are awake, the film is told through the eyes of an 11 year-old boy who lives alone (his mother is working in Beijing and his father is noticeably absent) with a 30ish Korean male tenant. It was an extended piece on isolation - the loneliness, longing, desperation, boredom and in the quiet, every unvoiced frustration and sorrow the audience can imagine. It was an improvement from 15 (excellent as a short film but a tedious, mis-directed feature). 4:30 was really moving in some parts, but as a whole, the film felt derivative.

With all that election buzz in the air and having just watched Taiwan Black Movies, I wondered what did the recent crop of Singapore films say about Singapore cinema and society? That when cinema engages with a social issue, we could only resort to the preachy 1-dimensional comedy of Jack Neo's I Not Stupid 1&2. Then we have our ghost stories - hauntings by the oppressed members of our society. And our art films - made for the film festival circuit - insistent on the still small off-centre heart of the lone Singaporean - boy, glutton, lesbian, hawker necrophiliac, self-mutilitating gangster/prostituting teen, frustrated/daydreaming taxi-driver.

Darktropic
Dark Tropic - image by J

Like it or not, these seem to be, for now, the stories our cinema tell. These are our cinematic strategies to escape from the flat whiteness of our political landscape to the fetishized, imagined dark life. And if you are unmoved by this fiction, perhaps like me you will find more art in the documentary. :>